Miranda Lambert released her fifth album on Wednesday, choosing a simple play on the word Platinum for the title. She could be referring to her platinum blonde hair but, seeing as how her last four albums all went platinum in sales, it is more likely an easy prediction. This album finds Lambert at her most introspective and nostalgic, everything from the lyrical content to the adventurous spirit of the compositions, Platinum relishes the past. Though she presents more of her rootsy side, she blends it with the modern pop sensibility, pushing herself as only a fully-developed artist is able to do.
It is musically her most diverse album to date, going from lively guitar shredding in “Little Red Wagon” to a lap-steel ballad in “Smokin’ and Drinkin’ (feat. Little Big Town)”. On Platinum we find Lambert stretching the limits of the genre and experimenting sonically while keeping her strong voice and persona intact. It is this voice that holds the album together, guiding us through her corner of the south, sharing the perspective of a confident, strong and charismatic woman who offers no apologies. From feminist issues to her marriage to Blake Shelton, she takes her daily concerns and filters them through her realistic and often humorous perspective.